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ORQUESTA SILBANDO XL

 

 

"The great masters of Argentine tango revisited with great vigor by eight musicians of the Parisian scene uniting verve and fantasy." Télérama

We see them everywhere in Europe, we hear them again and again in the airwaves of FIP: the musicians of the Silbando orchestra offer a lightning music full of energy and smoothness.

 

Silbando was born in 2010 in Paris from the meeting of young musicians of various nationalities (France, Argentina, Chile, Spain), with the common project of promoting and bringing a new identity to the Argentine tango of the golden age and great masters. This young orchestra offers a playlist that invites to rediscover the great classics of Argentinean tango and to venture into unknown pieces, through the interpretation of reference versions and personal arrangements.

 

With two albums to their credit (including the brand new Manos Arriba, warmly welcomed by the press), the orchestra has performed in many festivals and cultural venues in France and many European countries as well as in Argentina during a tour in October 2014 where it was welcomed as one of the best tango orchestras of the current scene.

 

During an evening, we will have the pleasure of appreciating an exclusively concert playlist, composed of tangos of yesterday and today: interpretation of reference works, composers and current arrangers as well as arrangements of Silbando.

 

WITH

 

 

Chloë Pfeiffer - Direction, piano

Aurélie Gallois - Violin

Mathias Naon - Violin

Anne Le Pape - Violin

Maxime Point - Bandoneon

Lysandre Donoso - Bandoneon

Carmela Delgado - Bandoneon

Lucas Eubel-Frontini  - Basse

Romain de Mesmay - Alto

Sebastian Rossi - Voice

 

 

 

" Un pep's incroyable et communicatif insufflant une  ambiance festive dans la  milonga où ils jouent,  et où il est impossible de rester assis !  Sauf, sciemment, au pied de la scène, pour s'imprégner de leur style et de leur entrain."

La Salida n° 77.​ ​

 

 

"Il  y  a  quelque  chose  de   spécial dans  les  milongas,  c'est  l'interaction,  l'osmose  avec  les  danseurs.  Nous aimons parfois faire des arrêts imprévus, nous tourner vers les danseurs, échanger un regard, un sourire, et reprendre le morceau là où on l'avait laissé. Ce sont des  moments  de  complicité  que  nous  avons  rarement  en  concert.​ (...) Souveneons nous qu'à  l'époque  où le  disque  n'existait  pas,  c'était bel  et bien les musiciens en chair et en os qui animaient les bals.  La vraie  tradition est là !"  

Propos de Chloé Pfeiffer reccuillis par Marie Pierre Gabis pour le Tout Tango Magasine n°35.